March 14, 2013
LAWT News Service
After 5 years of touring everywhere but Los Angeles, the UniverSoul Circus is back opening this Saturday March 16 through March 31 on Inglewood’s Hollywood Park parking lot, And to make sure they widen the eyes of many youth, they said, they’re giving 500 tickets to inner city youth.
Under the big top, audiences will be entertained by 75 performers from all over the world, including acrobats, contortionists, dancers and animal tamers. International performers from Africa, Russia, Trinidad and Tobago, Brazil, China and the United States with an urban aesthetic and a hip-hop beat.
UniverSoul is a highly-interactive combination of circus arts, theater, and music that spans genres including Pop, Classic R&B, Latin, Hip Hop, Jazz and Gospel. It embraces and celebrates the unique and familiar aspects of pop culture globally by bringing them center stage with a cast of international performers. UniverSoul Circus is rated as one of the top three circuses in America along with Ringling Brothers Barnum and Bailey and Cirque du Soleil. UniverSoul’s fresh approach to family friendly live entertainment has garnered it a coveted spot as one of Ticketmaster’s top ten most requested family events, along with other shows including Sesame Street Live, Disney on Ice, and Radio City Christmas Spectacular. The circus was founded in Atlanta by concert and theatre promoter, Cedric Walker. In 2013 the circus will perform over 500 shows in 46 major markets.
UniverSoul Circus has touched audiences for 19 years, since Cedric Walker, a former entertainment mogul who worked for such groups as the Commodores and The Jackson 5, created it to bring together families and communities. Walker travels the world looking for thrilling, high-adrenaline, and, often, nerve-wracking acts, that will keep families entertained. The 15-city tour includes Vincent Clark, a Capella singers and the Human Beat Box from the United States; seven female contortionists from Africa; A Cuban/Russian high-bar act, a Vietnamese head balancing act, and China’s Shaolin Warrior king-fu acrobats.
The circus also features performing animals, such as the Magic Cat Comedy act featuring live tigers from Africa, horse tricks from Russia and Africa, elephants, zebras and a French dog act.
And back for his 19th year is ringmaster sidekick Zanda Charles, known as “Zeke,” with a brand new bag of tricks.
The circus introduces new acts, music and choreography each year, which adds a fresh spin to the show.
Unlike arena-style events packed with nosebleed seats, no audience member is farther than 50 feet away under this tent, so they may find themselves right beneath the high-wire act.
The circus continues to evolve and diversify and find the best acts from around the world, regardless of their background.
The UniverSoul Circus delivers a ‘must-see’ and colorful show with incredible talent. Get your tickets today!
Visit www.universoulcircus.com for more info, show times, and schedules.
Special to the NNPA from the
St. Louis American
Lenny Kravitz is out – and Jesse L. Martin is in to portray iconic soul singer Marvin Gaye in the Julien Temple produced, “Sexual Healing.”
According to Deadline, the film focuses on the time Gaye spent in Europe in the early 1980s, when the soul singer attempted to get his addictions under control and career back on track with the help of British music promoter Freddy Cousaert. Gaye was shot by his father and died in Los Angeles on April 1, 1984.
Martin was Marvin in the James Gandolfini version of a movie with the same title five years ago.
According to Eurweb.com, the decision to replace Lenny was actually a legal move. Marvin Gaye III, the late singer’s son, threatened legal action against the filmmakers.
Information from Eurweb.com and Deadline.com contributed to this report.
By ANNE FLAHERTY Associated Press
The pursuit of hackers who audaciously stole and published credit reports for Michelle Obama, the attorney general, FBI director and other U.S. politicians and celebrities crisscrossed continents and included a San Francisco-based Internet company, Cloudflare, The Associated Press has learned.
The sensational crime caught the attention of Congress and President Barack Obama, who said, "we should not be surprised."
Obama said he could not confirm that the first lady's credit report was published earlier this week on a Russian website, along with what appeared to be the credit reports of nearly two dozen others, including Republican presidential candidate Mitt Romney, Donald Trump and celebrities Britney Spears, Jay Z, Beyonce and Tiger Woods.
Perhaps in a show of defiance as the FBI, Secret Service and the Los Angeles Police Department coordinated efforts to investigate the security breach, the website added late Wednesday what it said was the credit report of disgraced Pennsylvania football coach Jerry Sandusky.
If accurate as widely suspected, the leaked records put each victim at significant risk of identity theft. Included in the reports are Social Security numbers, dates of birth and a list of previous home addresses. The records also include such personal information as the first lady's monthly payments on a student loan 10 years ago and that she once held a Banana Republic credit card.
The president said determined hackers are a persistent threat.
"We should not be surprised that if you've got hackers who want to dig in and devote a lot of resources, that they can access people's private information," Obama told ABC News in an interview aired Wednesday. "It is a big problem."
Obama added: "It would not shock me if some information among people who presumably have pretty good safeguards against it, still gets out. That's part of the reason why we've got to continually improve what we do and coordinate between public and private sectors to make sure that people's information is safe."
On Capitol Hill, the chairman of the House Judiciary Committee cited the breach Wednesday at a congressional hearing about the government prosecuting hackers. Rep. Bob Goodlatte, R-Va., said the leaks of financial information was "just the beginning of the problem" when it comes to the vulnerability of U.S. computer networks. Goodlatte said the U.S. has billions of dollars at stake, as foreign hackers try to steal sensitive information from businesses.
"The truth is that all citizens are vulnerable to these kinds of cyberattacks," Goodlatte said.
A spokesman for one of the largest U.S. credit bureaus, Tim Klein of Equifax, said an initial investigation showed that the hackers accessed the credit bureau's system by correctly entering personal details about their victims to impersonate them and generate the credit reports.
Representatives for Experian, Equifax and TransUnion have all said they were cooperating with the U.S. criminal investigation being conducted by the FBI and Secret Service.
A retired FBI executive assistant director, Shawn Henry, said he hopes the incident sheds light on the scope of the cybersecurity problem and identity theft in particular, which affects millions of Americans who aren't famous enough to make headlines.
"There's a lot of sensitive data available online," said Henry, the president of CrowdStrike, a security technology company. "People aren't keeping information in a safe locked behind closed doors. Information being breached and violated is happening every day."
In San Francisco, Cloudflare operates the directory computers, known as name servers, used behind the scenes to send visitors to the Russian website where the stolen credit reports were being published, according to Internet registration records. Without that service, few Internet users would be able to visit the Russian website or view the stolen credit reports.
A company spokeswoman, Carol Carrubba, told the AP that Cloudflare, which she described as a performance and security company, doesn't comment on its customers. But Carrubba said: "Even if we delete a customer's account, the content remains in place, though the site may load more slowly."
Internet directories on Wednesday continued to identify Cloudflare as directing traffic to the Russian website, although any technical changes could take hours or days to update across the Internet.
Last month, the chief executive at Cloudflare, Matthew Prince, said in a speech that he had been victimized last year by hackers associated with the group UGNazi. They tricked Google into giving them access to his Gmail account, Prince said, and left voicemails taunting him that they had bought his Social Security number from an underground Russian website. Prince said the break-in of his personal email account also allowed the hackers to take over Cloudflare's corporate email systems.
In his speech, Prince said his company traced the attackers within 24 hours, and the hackers turned out to be among Cloudflare's customers.
The FBI in San Francisco declined to tell AP whether investigators have contacted Cloudflare to review payments or communications that had been used to set up the service.
The website address uses an Internet suffix originally assigned to the former Soviet Union, and many of the pages feature unflattering pictures of the person featured and taunting messages to them. A counter on the website indicated that it had received more than 500,000 views as of late Wednesday afternoon.
Social Security numbers posted on Jay-Z, Mel Gibson and others matched records in public databases. Social Security numbers are not public records, although they are used to be included in some court filings. Many courts require the information be redacted from filings since the numbers can be used to steal a person's identity and open credit accounts in their name.
Wear your smile like it was your favorite fashion accessory this week. You’re sure to feel better when you see how many times your smile is returned to you this week. Do what makes you happy this week. Soul Affirmation: The slowness of my week gives me time to refresh my energy
You may feel restless this week because you have an excess of mental energy. You can channel that into productivity by applying your fine mind to tasks that you have been putting off for a while. You’ll feel great at the end of the week. Soul Affirmation: I let myself adapt to the flow of life around me.
You wake up feeling as good as you want to feel! Affirm your right to a healthy, happy, joy-filled life and that’s what you’ll find that you have this week! Lucky! Treat yourself to a lottery ticket! Soul Affirmation: I master life by mastering myself
Watch for petty arguments at your workplace this week. Sail past any grumbling coworkers with a smile and think about how your soul vibration radiates your happiness. You’ll look and feel very attractive to positive vibrations. Soul Affirmation: I send words like music to the ears of those around me.
A compromise may be in order; luckily, it’s easy for you to be flexible. That special other person will be very appreciative of your ability to go with the flow when necessary. You are truly one-of-a-kind! Soul Affirmation: I will actually write a love letter to the universe this week.
Peace is flowing all around you this week. Soak up the harmony as if it were sunshine and smile, smile, smile. You’ll be in sync with partners, family, friends, and even co-workers. Enjoy! Soul Affirmation: I find a source of strength in someone I love
Your multi-tasking abilities will kick into high gear this week. While it’s sometimes difficult for you to know how to handle a particular situation, this week you’ll know the perfect answer. Everything good is unfolding! Soul Affirmation: Facing down challenges makes me feel good about myself.
Sociable, lovable you! You can have a wonderful week this week if you hook up with like-minded friends. You’ll find that many are on your wavelength this week. Appreciate your ability to bring people together. Soul Affirmation: Cheerfully handling what comes at me is the test of who I am.
Your intuition is showing, and you may surprise yourself as much as you surprise another by making a sudden intuitive leap and saying what you feel. You may feel as if you can read a certain someone’s mind. Use your gift for good. Soul Affirmation: I face each day with a smile and the day smiles back at me.
Happiness is where you find it this week. How hard are you looking? It’s easy for you to pull your thoughts away from any negative emotions and flow with your inner harmony. Let yourself be very happy this week. Soul Affirmation: Emptiness inside creates the space that I can fill with love.
Someone close to you may be acting up or acting out. Try to respond with patience and love. If that seems impossible, turn it over to your higher power and get on with your own joyful life. Soul Affirmation: I go along to get along.
You look as lovely as can be this week, as you breeze through the week like a butterfly. All communications are effective, and even more to your liking, they are fun! Enjoy some verbal soul vibrations with good friends later in the week. Soul Affirmation: I let my friendships guide my way.
By Jeff Karoub and Mike Householder, Associated Press
For Berry Gordy, conquering Broadway is the next — and by his own admission, last — major milestone of a magical, musical career.
The 83-year-old Motown Records founder is taking his story and that of his legendary label to the Great White Way.
“Motown: The Musical,” which begins previews on Monday at the Lunt-Fontanne Theatre, allows Gordy to relive the ups and downs of a career that launched him into the entertainment stratosphere and he’s confident will allow him to leave the stage on a high note.
“Most likely it will be my last major endeavor in a creative way,” he said in a telephone interview. “Of course everyone disagrees with me when I say that statement. This is probably the epitome of everything I’ve done — that I’ve wanted to do.”
For those under the impression that Gordy simply signed off on the musical, think again.
The Rock and Roll Hall of Famer not only sealed up a Broadway slot and agreed to co-produce the show, he also delivered its book and three original songs.
“When I came to Broadway, I had no idea I was going to love it as much as I do,” Gordy said. “(People asked), ‘How are you going to Broadway-ize Motown?’ I said, ‘I’m not going to Broadway-ize Motown, I’m going to bring Motown to Broadway.’”
This time, he’s starting with experience. Motown’s big stars during the label’s heyday were, as Gordy puts it, “kids off the street” — singers such as a not-far-out-of-high-school Smokey Robinson, Little Stevie Wonder and a pre-teen Michael Jackson.
But on Broadway, the team includes director Charles Randolph-Wright and actors Brandon Victor Dixon (Gordy) and Valisia LeKae (Diana Ross), all of whom are Broadway fixtures.
“We’re starting from a higher level,” Gordy said.
Even with a top-notch creative team on and off the stage, the show’s success — just as Motown’s was at its founding 54 years ago — starts and ends with the music.
And in that realm, the team behind the show is working from a position of strength. Maybe too much strength.
Gordy described it as “very difficult” to select classic Motown tracks for the musical, considering the massive trove from which to choose.
Randolph-Wright joked late last year that the show might be 15 hours long. The first version had 100 tunes in it, “and I wanted every song,” he said.
But both men agreed that the way to solve the too-many-songs problem was to focus on numbers that fit the musical’s thematic structure, or what Randolph-Wright called “the spine of the story.”
Since Gordy had special insight into the songs that comprise the label’s vast catalog, he was able to make suggestions as to which ones fit particular story arcs. That was the case with Marvin Gaye’s “What’s Going On,” which ends the first act; and “Ball of Confusion (That’s What the World is Today),” The Temptations classic that starts the second.
Gordy’s role went well beyond song-selector, however.
Gordy, who penned his first hit during the Eisenhower Administration, returned to his songwriting roots, working alongside longtime collaborator Michael Lovesmith to create a trio of original compositions for the musical: “Hey Joe,” “Can I Close the Door on Love?” and “It’s What's in the Groove that Counts.”
While all are personal songs — the show, after all, is about his life story — Gordy dug deep for “Hey Joe,” which commemorates the inspiration he experienced as an 8-year-old when Detroit’s own Joe Louis defeated German boxing great Max Schmeling in a 1938 heavyweight title fight.
“I saw my mother crying. I saw my father crying. Everyone was so crazy, just going mad,” Gordy said. “So I thought to myself then, ‘What could I do in my life ever to make this many people happy?’ That’s where I got the original passion from.”
Two decades later, Gordy had set aside his dream of a boxing career and was writing songs on the side while working at a Ford Motor Co. plant. That’s when he secured an $800 loan from his family’s savings club and started his own record company, one that he vowed would produce music for all listeners, not “Black music for Black people” as had been the standard.
Gordy succeeded beyond even his wildest imagination, hiring immensely talented writers, producers, engineers, musicians and singers who blended traditional gospel, jazz, R&B and pop to create a unique sound that had crossover appeal for audiences of all ages and backgrounds and broke down racial barriers at the height of the Civil Rights Movement.
“We would always say, ‘It’s what’s in the groove that counts,’” Gordy said, referencing one of the songs he wrote for the musical. “It was about music for all people. Not black and white, Jews and gentiles, the cops and the robbers. It was for everybody.”
Randolph-Wright, who was raised in segregated South Carolina, was among the many young Americans influenced by Gordy’s story and the musical movement he spurred.
“Berry Gordy was one of my idols growing up. At that time, there weren’t many men of color in that power position to look up to,” Randolph-Wright said during a trip to Hitsville, U.S.A., home to the Motown Museum in Detroit. “And, I always say he gave me and people like me permission to dream — to dream big enough that I would be in Studio A talking to you.”
A half-century after he began his ascent to the pinnacle of the music world, Gordy is looking to produce one last showstopper.
“I did the Broadway musical mainly for, I think, the people around the world that believed in me when they had no real reason to other than the music that they heard and loved,” he said.
But, tongue firmly in cheek, the octogenarian left open the door ever so slightly for another show-biz venture.
“If you come up with something bigger than Broadway, I might be interested,” he said, laughing.
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